Musical Works

A song for voice & piano, with words and music by Peter Tranchell, probably composed late 1940s. First line: I'm going as far as I can on the pier.

A quadruple chant for Psalm 119 (vv 153 to end [176]) for ATBrBB & organ.

A song for medium voice & piano, with music by Peter Tranchell and words by Ted Cranshaw, probably composed 1947-50.

DRAFT IN PREP

A song for medium voice & piano, with music by Peter Tranchell and words by Ted Cranshaw, probably composed 1947-50.

In 1958 Peter Tranchell wrote a revue titled Child's Play for the Players’ Theatre, comprising four songs (according to the Classified Handlist).

Magnificat and Nunc Dimittis in G for Men's Voices (TTBB) were composed for use by the choir in the regular round of evening services in the Chapel of Gonville & Caius College, Cambridge. The set was written in 1967, and the Magnificat was revised in 1969.

Peter Tranchell’s settings of two poems by the Greek poet, Constantine P. Cavafy (though Peter spells his name with a K) were composed in the late Summer of 1956.

'Cousin Cissie's Baby Book of Swans' is a cycle of thirteen songs composed between 1944 and 1946.

Peter Tranchell's setting for men's voices of 'The Very Pretty Maid of this Town, and the Amorous ’Squire, not One Hundred Miles from the Place'

Psalm C (100) Jubilate Deo set to an Anglican double chant by Peter Tranchell, typeset in two versions, for ATTBB or SAATB

The Mating Season, a concert entertainment by Peter Tranchell based on the Novel by P. G. Wodehouse (by kind permission of the author)

Dazzling Darkness, an anthem by Peter Tranchell for tenor/baritone solo, ATBrBrBB choir and organ, written in October 1976. Words: James Cotter; music: Peter Tranchell.

Composed at the age of 20, while Tranchell was in hospital suffering from iritis, Nativitates is a dissonant and challenging work for organ in two movements.

Hamble Bridge, Peter Tranchell's setting of Hymn 636: May the grace of Christ our Saviour. Original unison setting, and an arrangement for SATB choir.

Peter Tranchell's Te Deum in E for AAAATTBB or SSAATTBB choir, piano, organ and two violins, written in 1974.

Peter Tranchell's SATBrB arrangement of Or Sus, Vous Dormés Trop is known to have been performed by the Choir of Gonville & Caius College at the Perse Feast, Friday 11 December 1987. The manuscript score states that the words and music are Anon c.1360.

A poignant song by Peter Tranchell, written before 1960. No musical score survives, but the song features on a recording of songs made by Tranchell himself c.1960

Movements, composed in 1987, is one of Peter Tranchell's final works. It is scored for flute, viola, bassoon, harpsichord and piano, duration approx. 13 minutes.

Peter Tranchell's hymn tune CURDRIDGE LANE, to accompany O Holy City, seen of John, words by W. Russell Bowie

Peter Tranchell's Salonika Nights: Valse for solo piano is presumed to date from 1945-46. It’s a delightful salon-piece consisting of an eight bar introduction followed by four waltzes in different keys, after which the first is repeated.

The Sonatina for flute and piano was written for and dedicated to Henri and Juana Fromageot in May 1966. Juana later became a well-respected concert and recording pianist under the name Juana Zayas.

Tranchell's 1950 Organ Sonata, in four movements: I Prelude, II Scherzo, III Threnody (en petite passacaille), IV Finale

Peter Tranchell's Variations for String Quartet on Chopin's Prelude no. 7 (Op. 28). Seven variations and the theme.

Tranchell's piano transcription of The Remembrance Waltz, aka Souvenir d’un jour d’espoir, from his 1947 incidental music for Johnson Over Jordan (the 1939 play by J.B. Priestley).

A song for Men's voices by Peter Tranchell, based on a newspaper article about a story from Hungary, set to music in a Roma/Gypsy Folk style: 'Tired of his wife's nagging, Janos Dey, a Hungarian living at Debrecin, decided to frighten her by faking suicide...'

Wish Road, a hymn written by Peter Tranchell for Eastbourne College in 1950, later used in the anthem Fortunare Nos

8 songs for baritone and piano, with words from News of the World, 9th Aug 1953, and the Daily Telegraph, 8th or 10th Aug 1953

Peter Tranchell's 100-fold Amen. The work quotes several Amens and other works - see what you can find!

Peter Tranchell's Music for the service of Holy Communion: written for Fitzwilliam House, 1960, now published in a new arrangement by Geoffrey Webber for SATB choir and organ, with the gradual hymn "Lord, be thy word thy rule" (Tichfield).

An SATB unaccompanied setting of this Christina Rossetti's poem "Twist me a crown of wind-flowers"

Peter Tranchell's piano duet "Spring Rondo" (four hands one piano), composed in 1968, duration approx 2'45".

A dismissal or closing response for unaccompanied AATTBB or SATTBB choir. Duration 30 seconds.

A bidding anthem for SATTBBB, duration c.20 seconds.

A round for four men's voices, with hidden depths, paying tribute to the "bandy legged and contemptuously regarded" Professor Nicholas Staggins, Master of the King's Music and Professor of Music at Cambridge University.

This light song sets words from a newspaper article to music for unaccompanied ATTBB or TTBB choir. This could easily be arranged for SATBB.

A light song written in 1979, exposing the savagery of the rose garden. For SATBB or ATTBB choir.

An anthem for SSATB and  organ, piano or harmonium, composed by Peter Tranchell for the Wedding Service on 10 July 1982 of Jeremy Mark Davies and Catherine Hudson Wilks.

"O that our faith", (tune: Waltham Chase) a short setting of a text by Charles Wesley, for three voice parts and organ, written October 1971

An introit/anthem for ATBrBB or SATBB unaccompanied, the text from John 16:33.

"His first Mayweek", or, "The scholar's progress: a speculation with music in five scenes". For male and female soloists, male-voice chorus, and two pianos. Words and music by Peter Tranchell.

A double Anglican psalm chant by Peter Tranchell for ATB or SATB.

From the Caius Psalter, Chant 21A by "M.W. Scot-Higson", an anagram of Moscow Nights.

Twice A Kiss, an operetta in one act for seven soloists, piano and electronic organ, with libretto by Maurice Holt, was written for Peter le Huray and St Catherine’s College to perform in May Week in June 1955.