These settings were composed by Peter Tranchell, Precentor (Director of Music) at Gonville & Caius College, Cambridge, for use by the chapel choir in the regular round of evening services. Although written three years apart and for a slightly different disposition of voices, Tranchell clearly saw them as a ‘set’ since they were recorded together in 1981 for private release on the LP recording ‘Music from Caius’ in 1985.

Peter Tranchell composed this 1958 Sonata for Organ (his second) for, and partly based on the name of, Peter Le Huray, a fellow lecturer in the Music Faculty of Cambridge University, and Director of Music at St Catharine’s College.

The Carol Voluntary is a light-hearted piece with a serious side, melding eight different carols (at the last count) with unexpected results. It was first written for Tranchell's friend David Isitt (later The Reverend) in 1948, then revised in 1964.

The anthem Cantantibus Organis for St Cecilia’s Day was written by Peter Tranchell in 1987 for use by the choir of Gonville and Caius College, Cambridge, where he was Precentor (Director of Music), and it was sung at Evensong (presumably on St Cecilia’s Day, 22 November) that year. It was written for S.A.T.T.B. and Organ, with Soprano, Tenor and Bass solos.

Peter Tranchell set this famous text (from Edward Fitzgerald’s version of Rubáiyát of Omar Khayyám of Naishápúr) to music in May 1978, shortly before the death of Geoffrey Thornton, the Caius Chapel organ scholar who succumbed to melanoma. Peter knew it was inevitable and although there's nothing on the score it was conceived very much as an In Memoriam.

Peter Tranchell composed the Thackeray Ditties for the Cambridge University Madrigal Society’s May Week Concert in June 1962, which was conducted by Raymond Leppard. The concert traditionally took place on the Backs with the choir in punts on the Cam while the audience sat on the riverbank.