The Peter Tranchell Foundation today announces an ambitious programme of work to mark the centenary of Peter Tranchell’s birth (in 1922) – including a Centenary Musical Soirée with some of the composer’s most loved music alongside new compositions inspired by his legacy.
Activities to celebrate the Centenary include:
- The Peter Tranchell Centenary Composition Competition for Organ
- A choral commission from Proms composer Cheryl Frances-Hoad
- A Centenary Musical Soirée and Reception on Saturday 19th November 2022
- The launch of a programme of editing and typesetting to ensure all significant Tranchell choral, orchestral and instrumental works are available in performing editions
- Support for performances and recordings of Tranchell works
- A Centenary Appeal to raise funds for the Foundation’s work in and beyond the Centenary year
Chris Henshall, the Foundation’s Chair of Trustees, says: “The Foundation is pleased to be marking the centenary with an exciting programme of work to promote awareness and appreciation of the life and music of Peter Tranchell. We are enormously grateful for the involvement of some of the country’s leading young musicians, and for the generous financial support the Foundation is receiving. We sincerely hope that our activities will bring Tranchell’s music to a wider audience.”
The Peter Tranchell Centenary Composition Competition for Organ
Composers are invited to submit a composition for organ, inspired by some aspect of Peter Tranchell's life and works. Submitted works will be judged by a panel of four leading organists and composers for organ (to be revealed after the award is announced).
The winner will receive £500 and a world première performance of their composition played by Francesca Massey at the Centenary Musical Soirée at St. Paul's, Knightsbridge, on 19th November 2022.
A formidable pianist and organist himself, Tranchell wrote about twelve works for organ, all dating from his early career and charting his musical development. The best known is the 1958 Sonata, written for, and playing on the name of, Peter Le Huray, highlighting Tranchell’s fascination with cryptography in music (a commercial recording is due to be released soon). Competitors are encouraged to reflect these interests in their compositions.
The deadline for entries in the competition is 12 August 2022. Full details are given here https://peter-tranchell.uk/peter-tranchell-centenary-composition-competition
Francesca Massey comments “I applaud the Foundation’s decision to hold the Peter Tranchell Centenary Composition Competition for Organ, and I am honoured to have been asked to perform the winning entry. There is a wealth of talent in the organ world, and it is wonderful to have this challenge to compose a new work to celebrate the centenary of a creative organist and composer. The competition is a great way to support contemporary talent whilst acknowledging Tranchell’s legacy.”
The Foundation is delighted that Cheryl Frances-Hoad has accepted a commission to compose a short piece for Gonville and Caius College Chapel Choir inspired by words and music she has encountered in Peter Tranchell’s choral works. The new composition will be given its world premiere by Caius Choir directed by Matthew Martin at the Centenary Musical Soirée at St Paul’s Knightsbridge on Saturday 19th November 2022.
Cheryl, who will have another new commission performed at this year’s Proms (see: https://www.bbc.co.uk/events/eb34mb), says: ”I studied at Caius, but after Peter Tranchell retired so I was not familiar with his work. I have been impressed by the affection that those who knew him have for the man and his music, and I am enjoying the challenge of reflecting this and some of his choice of texts in my composition.”
Centenary Musical Soirée and Reception
The Centenary Musical Soirée will be held at St Paul’s Knightsbridge on Saturday 19th November 2022. It will include works by Tranchell for choir, organ and piano, the premiere of the winning entry in the Peter Tranchell Centenary Composition Competition for Organ, and the premiere of a short choral piece the Foundation has commissioned from Proms composer Cheryl Frances-Hoad (who studied music at Gonville and Caius College). Performers will include the Gonville and Caius College Chapel Choir and Consort conducted by Matthew Martin (Precentor and Director of Studies in Music), Francesca Massey (a previous organ scholar at Caius) and other Caians past and present.
Chris Henshall, the Foundation’s Chair of Trustees says: “Tranchell’s music ranges from the serious and spiritual to lighter and sometimes mischievous pieces that were clearly written with a twinkle in the composer’s eye. We are working with the performers to develop a programme that reflects the range of his output and his sense of humour and enjoyment of the ridiculous as well as his formidable musical talents. We think he would have approved of the use of the term “Soirée” to reflect this approach. The evening will start with a glass of sparkling wine (or cordial), followed by around 90 minutes of music, and concluding with a Reception (ticketed separately). Further details and tickets will be available in the coming weeks via the Foundation’s website.”
Matthew Martin says: “I am delighted to be bringing the Caius Chapel Choir and Consort to this prestigious London venue to perform a varied programme of music by a former Precentor and Director of Studies in Music at Caius, together with the new commission from Cheryl Frances-Hoad. We already had a few Tranchell pieces in the Choir’s repertoire, and I am enjoying getting to know more of his music. I hope this concert will encourage others to perform more Tranchell, and to enjoy it as much as we do”
The Centenary Appeal was launched in February with an initial target of £28,000. Donations currently total over £19,000. Details of how to give can be found at: how-to-donate. The Foundation is a registered charity and donations from UK tax payers are eligible for GiftAid.
Notes for Editors
Who was Peter Tranchell?
Peter Tranchell was born on 14th July 1922 and educated at the Dragon School (Oxford), Clifton College (Bristol) and King’s College Cambridge where he studied Classics and then Music. He was awarded the MusB in 1949 with reputedly the highest distinction ever given, for his performance of Liszt’s Sonata in B minor. After teaching for a year at Eastbourne College, Tranchell returned to Cambridge as a lecturer in the Faculty of Music, as Director of Studies at Fitzwilliam, and then secured a position at Gonville & Caius College, where in 1962 he succeeded Patrick Hadley as Precentor and Director of Music. He retired in 1989 and died in 1993.
Tranchell's life may seem at first glance to be typical of the privileged middle classes of his time, but the reality is more complex. Having been born in India where his father was in the Colonial Service, he was sent to England at the age of four to live with his unsympathetic maiden aunt. His brother James, born three years after Peter, in due course joined him and they became very close. When James was killed in a road accident at the age of 13 Peter was understandably devastated, and felt the loss keenly for the rest of his life. His university education and musical development were disrupted by four years of service in the army during and after the war, and despite huge efforts and some initial successes in the years that followed, his music – though often loved by those it was written for and performed by - failed to make it to the “mainstream”.
Tranchell’s reputation in the world of music and more generally was probably not helped by his often outspoken views and his openly gay behaviour at a time when homosexuality was illegal and disapproved of in conventional circles. But those who knew him remember his mischievous wit and intelligence, and the generosity he showed in providing music and advice to any who asked for it.
In the 1950s and 60s, Tranchell wrote a wide range of orchestral, instrumental and choral music, including the opera The Mayor of Casterbridge (1951), the West End musical Zuleika (1954-7), and the ballet Images of Love for Covent Garden (1964), commissioned and choreographed by Kenneth MacMillan with dancers including Rudolf Nureyev. Although Tranchell’s music at this time was admired by members of the musical establishment, almost none was advanced for publication.
Following a number of disappointments (including the decision by a Hollywood director not to pursue a film of Zuleika), Tranchell focussed his creative energies increasingly on University and college activities in Cambridge, composing a wide range of music for Caius Chapel Choir, various “entertainments” for Caius and other colleges and numerous songs and lighter pieces for The Cambridge Footlights and private functions. Little of this music has been performed or heard outside Cambridge, but many of those who know it believe that it deserves a wider audience.
Tranchell took a keen interest throughout his life in contemporary music, experimenting with various techniques, while developing a very personal style that combines infectious melodies with complex and often dissonant harmony. Much of his output is demanding for the performers (he was a formidable pianist himself and was often writing for talented singers and instrumentalists) but he could write simpler pieces as well (eg for congregational singing in church services). His music is difficult to characterise; adjectives that have been applied include “fun”, “entertaining”, “complex”, “idiosyncratic”, “eccentric”, “bonkers”. But it is never dull, and almost all his work has an immediate appeal to listeners.
Tranchell’s compositions are listed in the Classified Handlist, available here: https://peter-tranchell.uk/classified-handlist-of-the-music-of-peter-tranchell
A more detailed biography is available here: https://peter-tranchell.uk/blog/a-biography-of-peter-tranchell-by-john-gwinnell
What is The Peter Tranchell Foundation?
After his death is 1993, the Executors of Tranchell’s Will worked informally with other friends and colleagues and with Cambridge University Library to ensure that his music and writings were archived, catalogued and made available to scholars, and that his musical legacy was not forgotten.
This work is now being taken forward by The Peter Tranchell Foundation which was registered with the Charity Commission as a Community Interest Organisation in 2021. Its objects are to promote awareness and appreciation of the life and music of Peter Tranchell. More details are available at: https://peter-tranchell.uk/the-peter-tranchell-foundation
Francesca Massey has recently embarked upon an active career as a freelance organist, choral conductor and teacher, having worked as a cathedral musician for 20 years. Born in Birmingham in 1982, Francesca was educated at Cambridge University and the Royal Northern College of Music (on a prestigious ABRSM Scholarship), holding Organ Scholarships at St George's Chapel, Windsor Castle, Gonville and Caius College, Cambridge and Manchester Cathedral. She later became Assistant Organist at Great St Mary's Church, Cambridge, Assistant Director of Music at Peterborough Cathedral, Sub-Organist at Durham Cathedral and Director of Music at Rochester Cathedral. Francesca performs regularly as a recitalist. She has three solo recordings to her name (Bravura!, The Forgotten Gem, and The complete works of Maurice Duruflé) which all received excellent reviews and were Editor’s Choice in Organists’ Review. See: https://www.francesca-massey.org
Admired for her originality, fluency and professionalism, Cheryl Frances-Hoad has been composing to commission since she was fifteen. Classical tradition (she trained as a cellist and pianist at the Menuhin School before going on to Gonville and Caius College, Cambridge and King's College, London) along with diverse contemporary inspirations including literature, painting and dance, have contributed to a creative presence provocatively her own. Her output - widely premiered, broadcast and commercially recorded, reaching audiences from the Proms to outreach workshops - addresses all genres from opera, ballet and concerto to song, chamber and solo music. See: https://www.cherylfranceshoad.co.uk
Matthew Martin is Precentor and Director of Studies in Music at Gonville and Caius College, Cambridge. His work as a composer is published by Faber Music and Novello and written in a variety of styles, with a focus on choral and vocal repertoire. He was awarded First prize in British Composer Awards/Liturgical category (2013). Working previously on the music staff at Westminster Cathedral and the Brompton Oratory, he developed a particular interest in the study and performance of Gregorian chant: its development, notation, accompaniment and liturgical use. He is active as an organ recitalist with a focus on improvisation and French Classical music (1630-1790). His teaching is based mainly around Tonal Skills, Composition and Choral Conducting, and he coaches organists in the art of improvisation.
Commercial recordings of Peter Tranchell’s music
Festive Overture (composed 1966)
BBC Concert Orchestra conducted by John Wilson, on “John Ireland - ORCHESTRAL SONGS AND MINIATURES”, Dutton CDLX7246
If ye would hear the angels sing (composed 1965)
A Requiem for Stephen: Into a Greater Light, Stephen Cleobury & Choir of King's College, Cambridge, and Matthew Sandy. Spotify: https://open.spotify.com/track/3y1dLffyTSuzjzLIYSohEn?si=40575fc399424317
Dormi Jesu: A Caius Christmas, Delphian DCD34152-CD, Choir of Gonville & Caius College, Geoffrey Webber. https://www.delphianrecords.com/products/dcd34152
A Festival of Nine Lessons & Carols, King's College Choir, Stephen Cleobury, 2008, Warner Classics 6860822. https://www.prestomusic.com/classical/products/7982589--a-festival-of-nine-lessons-and-carols
Oxford Christmas Choral Highlights 2010, Oxford University Press Music, 2018, available here https://www.amazon.com/Oxford-Christmas-Choral-Highlights-2010/dp/B07L6M8FZP and playable here https://www.youtube.com/watch?v=PhvSLTQhiYA
People, look East (composed 1982)
Christmas with St John's, St John's College Choir Cambridge, Andrew Nethsingha. Signum SIGCD458.
All the World Tonight Rejoices: contemporary Christmas music by Truro Cathedral Choir, on Regent Records (REGCD560). Andrew Wyatt, organ; directed by Christopher Gray.
Psalms 102 and 103 (Anglican chants, 1970s?)
on Psalms from St Paul's, Vol. 8 93-104, Hyperion http://www.hyperion-records.co.uk/dc.asp?dc=D_CDP11008
Psalm 141 (Lord, I call upon Thee) (composed 1968) and Psalm 133 (The Peace of God) (composed 1962)
on O Sacrum Convivium - Music for the Mass sung by the choirs of St George's Metropolitan Cathedral Southwark, directed by Norman Harper (Caius 1970) and accompanied by Frederick Stocken. Priory PRCD 1189. Psalm 141 is available on YouTube (courtesy of NAXOS of America).
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