Musical Works

For voices & organ. With antiphon: Romans VI v. 23.

Peter Tranchell's arrangement of Captain Wattle, a song with words and music by Charles Dibdin, c. 1790

Peter Tranchell's cantata for ladies’ voices (sopranos and altos), a mixed semi-chorus and baritone solo, accompanied by amplified harpsichord and piano

Peter Tranchell's enigmatic 'Tone 15' Nunc Dimittis

Peter Tranchell's hymn Botley Road: There is a book, who runs may read

Old Winchester Hill: Peter Tranchell's 1970 setting of verses 1, 2 and 4 of William Bright's hymn "And now, O Father"

A responsorial setting of Psalm 126 using Isaiah 49 verse 13 as the antiphon (Sing O heavens and be joyful O earth).

Peter Tranchell's 1970 setting of Hymn 304 (S.O.P.), extracts from Walt Whitman's poem "Pioneers! O Pioneers!"

These settings were composed by Peter Tranchell, Precentor (Director of Music) at Gonville & Caius College, Cambridge, in April 1982, for use by the chapel choir in the regular round of evening services.

Variations for brass, percussion and organ, based on the Ten Commandments, by Peter Tranchell, composed 1956

Composed in 1973, Peter Tranchell's Tone 7 setting of the Magnificat for AATBB unaccompanied choir.

A twelve-tone piece for piano, composed in 1950 by Peter Tranchell

A song for voice and piano, with words and music by Peter Tranchell, composed in 1949.

A song for voice & piano, with music by Peter Tranchell and words by Geoffrey Payne, probably composed 1944.

A song for medium voice & piano, with music by Peter Tranchell and words by Ted Cranshaw, probably composed 1947-50.

A song for medium voice & piano, with music by Peter Tranchell and words by Ted Cranshaw, probably composed 1947-50.

A song for voice & piano, with words and music by Peter Tranchell, probably composed late 1940s. First line: I'm going as far as I can on the pier.

A quadruple chant for Psalm 119 (vv 153 to end [176]) for ATBrBB & organ.

A song for medium voice & piano, with music by Peter Tranchell and words by Ted Cranshaw, probably composed 1947-50.

DRAFT IN PREP

A song for medium voice & piano, with music by Peter Tranchell and words by Ted Cranshaw, probably composed 1947-50.

In 1958 Peter Tranchell wrote a revue titled Child's Play for the Players’ Theatre, comprising four songs (according to the Classified Handlist).

Magnificat and Nunc Dimittis in G for Men's Voices (TTBB) were composed for use by the choir in the regular round of evening services in the Chapel of Gonville & Caius College, Cambridge. The set was written in 1967, and the Magnificat was revised in 1969.

Peter Tranchell’s settings of two poems by the Greek poet, Constantine P. Cavafy (though Peter spells his name with a K) were composed in the late Summer of 1956.

'Cousin Cissie's Baby Book of Swans' is a cycle of thirteen songs composed between 1944 and 1946.

Peter Tranchell's setting for men's voices of 'The Very Pretty Maid of this Town, and the Amorous ’Squire, not One Hundred Miles from the Place'

Psalm C (100) Jubilate Deo set to an Anglican double chant by Peter Tranchell, typeset in two versions, for ATTBB or SAATB

The Mating Season, a concert entertainment by Peter Tranchell based on the Novel by P. G. Wodehouse (by kind permission of the author)

Dazzling Darkness, an anthem by Peter Tranchell for tenor/baritone solo, ATBrBrBB choir and organ, written in October 1976. Words: James Cotter; music: Peter Tranchell.

Composed at the age of 20, while Tranchell was in hospital suffering from iritis, Nativitates is a dissonant and challenging work for organ in two movements.

Hamble Bridge, Peter Tranchell's setting of Hymn 636: May the grace of Christ our Saviour. Original unison setting, and an arrangement for SATB choir.

Peter Tranchell's Te Deum in E for AAAATTBB or SSAATTBB choir, piano, organ and two violins, written in 1974.

Peter Tranchell's SATBrB arrangement of Or Sus, Vous Dormés Trop is known to have been performed by the Choir of Gonville & Caius College at the Perse Feast, Friday 11 December 1987. The manuscript score states that the words and music are Anon c.1360.

A poignant song by Peter Tranchell, written before 1960. No musical score survives, but the song features on a recording of songs made by Tranchell himself c.1960

Movements, composed in 1987, is one of Peter Tranchell's final works. It is scored for flute, viola, bassoon, harpsichord and piano, duration approx. 13 minutes.

Peter Tranchell's hymn tune CURDRIDGE LANE, to accompany O Holy City, seen of John, words by W. Russell Bowie

Peter Tranchell's Salonika Nights: Valse for solo piano is presumed to date from 1945-46. It’s a delightful salon-piece consisting of an eight bar introduction followed by four waltzes in different keys, after which the first is repeated.

The Sonatina for flute and piano was written for and dedicated to Henri and Juana Fromageot in May 1966. Juana later became a well-respected concert and recording pianist under the name Juana Zayas.

Tranchell's 1950 Organ Sonata, in four movements: I Prelude, II Scherzo, III Threnody (en petite passacaille), IV Finale

Peter Tranchell's Variations for String Quartet on Chopin's Prelude no. 7 (Op. 28). Seven variations and the theme.

Tranchell's piano transcription of The Remembrance Waltz, aka Souvenir d’un jour d’espoir, from his 1947 incidental music for Johnson Over Jordan (the 1939 play by J.B. Priestley).

A song for Men's voices by Peter Tranchell, based on a newspaper article about a story from Hungary, set to music in a Roma/Gypsy Folk style: 'Tired of his wife's nagging, Janos Dey, a Hungarian living at Debrecin, decided to frighten her by faking suicide...'